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“Ideas are born from a bud. Sometimes they close, sometimes they blossom. When they blossom, it is extraordinary to see how one thing becomes something else, and then something else again, and opens possibilities that were initially obscure and hidden in the deep of the unconscious. ”
– Arcangelo Sassolino
Art Guide Australia July/August 2025
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Inside our July/August 2025 issue:
A detail of Yindjibarndi artist Wendy Hubert’s epic painting graces the cover of our July/August issue, which explores ways artists encourage deeper looking and listening. Hubert’s work features in It’s always been always at Fremantle Art Centre—which, as Rosamund Brennan writes, honours the enduring voices of Indigenous women artists.
Inside, Michelle Wang follows Sophie Penkethman-Young’s dives into the internet’s depths, Camilla Wagstaff speaks to Jennifer Mills about the 30-year evolution of Mills’ practice, and Monica Rani Rudhar tells Jo Higgins that costume jewellery can embody its own authenticity.
Giselle Au-Nhien Nguyen explains how Marcia Langton and co-curators responded to gaps in the University of Melbourne’s Indigenous collection, and Tyson Frigo discovers how Yolŋu power: the art of Yirrkala charts the ingenuity of one Indigenous community. Elsewhere, Editor-at-large Neha Kale presents The Long View, a new essay series inaugurated by Dee Jefferson, exploring relationships between art and the wider world.
This and more in the July/August 2025 print edition of Art Guide Australia.
Publisher
Art Guide Australia
Contributors
Chloé Wolifson ,
Rosamund Brennan ,
Briony Downes ,
Tyson Frigo ,
Jo Higgins ,
Dee Jefferson ,
Courtney Kidd ,
Walter Marsh ,
Carla McRae ,
Sally Gearon ,
Giselle Au-Nhien Nguyen ,
Emma O'neill ,
Barnaby Smith,
Hamish ta-mé,
Camilla Wagstaff ,
Michelle Wang
Publication Date
July 2025
Editor
Neha Kale ,
Chloé Wolifson ,
Sally Gearon ,
Anna Carlsson
Design
Jack Loel
Pages
248
Format
softcover, 24 x 17 cm