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Our editors and our team of writers and contributors know the local art scene and keep you informed through engaging and thoughtful articles.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eWe speak with artists, curators and gallerists to learn more about their ideas and share them with an audience who want to know more about Australian art and what to see.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e We’re here to support a vibrant and diverse arts community and our aim is to provide independent, considered editorial coverage alongside a comprehensive picture of what’s happening in the visual arts across Australia.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eIn this issue:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eIn a special issue to start the new year, our cover artist Truc Truong is one of our ‘10 Artists to Watch in 2024’! Find out who the further nine artists are, with insightful words from many of Australia’s best arts writers, curators and critics. After a year of record art fair attendance and sales, we look at how the Melbourne Art Fair is going annual, plus we have in-depth conversations with Brent Harris and Diana Baker Smith, and visit Christopher Bassi’s stunning Brisbane studio. 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Authored with incisive wit by Melinda Rackham and Elvis Richardson, \u003cem\u003eCoUNTess: Spoiling Illusions Since 2008\u003c\/em\u003e illuminates the lives of women artists, writers, and academics navigating a landscape where systemic biases persist.\u003c\/p\u003e\n\u003cp\u003eWith a blend of statistical analysis and feminist theory, the book scrutinizes how educational pathways, institutional practices of galleries and museums, art awards, publications, curatorial decisions, and patronage perpetuate inequalities. 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Known as the senior lawman overseeing ceremonies across the vast Kimberley region, Ngarra transitioned to art in 1994, unveiling an electrifying style that blended ochre, acrylic, and texta in vibrant compositions. Renowned for his mastery of colour and innovative forms, Ngarra seamlessly integrated deep cultural knowledge with a distinct artistic vision.\u003c\/p\u003e\n\u003cp\u003eBorn around 1920 and passing in 2008, Ngarra's upbringing in the bush under his grandparents' guidance endowed him with profound insights into country and law, shaped by the resilience of his displaced community confronting the encroaching cattle industry. 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Designed collaboratively by the artist David Noonan and Yanni Florence, this meticulously illustrated book offers a comprehensive portrayal of the exhibition.\u003c\/p\u003e\n\u003cp\u003eDelve into the thematic depths of the exhibition through insightful essays penned by Jennifer Higgie and TarraWarra Director Victoria Lynn. Encased in linen with elegantly debossed text, this catalogue exemplifies craftsmanship and is destined to become a cherished collector's piece.\u003c\/p\u003e\n\u003c!----\u003e","brand":"artguidebookstore","offers":[{"title":"Default Title","offer_id":49002178216211,"sku":"","price":40.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0860\/5614\/1075\/files\/IMG_3890.png?v=1730335615"},{"product_id":"how-to-cut-an-orange-zoe-croggon","title":"How to cut an Orange","description":"\u003cp\u003eIn the artistry of Zoë Croggon, a Melbourne-based artist, revelations unfold in a dance of nuanced cues. 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Moreover, the publication features new essays contributed by leading scholars in anthropology, philosophy, political economy, and art history, enriching the discourse around Mangan's impactful body of work.\u003c\/p\u003e\n\u003cp\u003eIn essence, \u003cem\u003eA World Undone\u003c\/em\u003e not only celebrates Nicholas Mangan's transformative contributions to contemporary art but also invites readers to engage deeply with the profound themes animating his practice. 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Grab yours today and carry a story wherever you go.\u003c\/p\u003e","brand":"artguidebookstore","offers":[{"title":"Default Title","offer_id":49046952968467,"sku":"","price":30.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0860\/5614\/1075\/files\/Screenshot2024-05-03at1.06.44PM_93af38bf-8b6c-4f5b-82dc-f4c0c12e8deb.png?v=1728111692"},{"product_id":"aesthetic-nonsense-makes-commonsense-thanks-x","title":"Aesthetic nonsense makes commonsense, thanks X","description":"\u003cp\u003eFor the past two decades, Lisa Radford has been a notable voice in Melbourne’s art scene, both writing alongside and about contemporary art and artists. This anthology was released in conjunction with Radford's solo exhibition \u003cem\u003eDear Masato, all at once\u003c\/em\u003e at West Space in 2016, part of the gallery’s annual commission series.\u003c\/p\u003e\n\u003cp\u003eIn this collection, Radford’s critical and ficto-critical writings converge to illuminate a rich tapestry of local histories. Her work delves into politics, friendship, popular culture, and a spectrum of other personal and collective experiences. Published by Surpllus in Melbourne, this volume offers a profound exploration of the intersections between art and the myriad subjectivities that shape our understanding of it.\u003c\/p\u003e\n\u003c!----\u003e","brand":"artguidebookstore","offers":[{"title":"Default Title","offer_id":49650714280211,"sku":"","price":30.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0860\/5614\/1075\/files\/original_image1.jpg?v=1723009306"},{"product_id":"the-interior","title":"Natalya Hughes: THE INTERIOR","description":"\u003cp\u003eThis publication accompanies Natalya Hughes’s IMA-commissioned solo exhibition, \u003cem\u003eThe Interior\u003c\/em\u003e, which ran from July 29 to October 1, 2022, and will tour nationally from 2023. The monograph delves into three interconnected themes within Hughes’s recent work, offering a critical reassessment of male modernists such as Freud, Kirchner, and de Kooning, and their intricate portrayals of female subjects.\u003c\/p\u003e\n\u003cp\u003eThe book features insightful essays by Professor Susan Best (Queensland College of Art, Griffith), Dr. Jacqueline Chlanda (UQ Art Museum), and Professor Andrew McNamara (Queensland University of Technology). It also includes a compelling interview between Hughes and curator Elspeth Pitt (National Gallery of Australia). Together, these contributions provide a thorough and nuanced exploration of Hughes’s latest artistic endeavours.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRead the review of \u003cem\u003eNatalya Hughes: THE INTERIOR\u003c\/em\u003e by Jane O'Sullivan at \u003ca rel=\"noopener\" href=\"https:\/\/artguide.com.au\/a-compact-but-rewarding-monograph-that-delves-inside-natalya-hughess-layered-practice\/\" target=\"_blank\"\u003e\u003cspan style=\"text-decoration: underline;\"\u003eartguide.com.au\u003c\/span\u003e\u003c\/a\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003c!----\u003e","brand":"artguidebookstore","offers":[{"title":"Default Title","offer_id":49650728665363,"sku":"","price":50.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0860\/5614\/1075\/files\/Shop-upload-1.png?v=1723010404"},{"product_id":"act-natural","title":"Louise Haselton: Act Natural","description":"\u003cp\u003eLouise Haselton reveals the hidden depths within the everyday and the overlooked. Her work oscillates between the mundane and the exotic, the natural and the fabricated, as she deftly weaves connections among seemingly unrelated material worlds. Haselton operates under the belief in the subtle, invisible forces that both connect and isolate the objects around us.\u003c\/p\u003e\n\u003cp\u003eWith a playful reverence, she engages with the materials she chooses, exploring their latent communicative potential through weight, balance, and form. Her sculptural pieces are marked by an element of surprise and unconventional thinking, reflecting an artist deeply attuned to the often unnoticed currents that shape our environment.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRead the review of \u003cem\u003eLouise Haselton: Act Natural\u003c\/em\u003e by Jane O'Sullivan at \u003cspan style=\"text-decoration: underline;\"\u003e\u003ca href=\"https:\/\/artguide.com.au\/studying-the-artist-three-approaches-to-capturing-a-creative-practice-in-print\/\" rel=\"noopener\" target=\"_blank\"\u003eartguide.com.au\u003c\/a\u003e\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003c!----\u003e","brand":"artguidebookstore","offers":[{"title":"Default Title","offer_id":49650757271827,"sku":"","price":50.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0860\/5614\/1075\/files\/ScreenShot2024-08-20at2.08.41pm.png?v=1724126996"},{"product_id":"memo-issue-no-1","title":"Memo: Issue No. 1","description":"\u003cp\u003eMemo’s inaugural glossy annual is a rich tapestry, weaving together the voices and visions of our most provocative art commentators. 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